rubber stamps and brown paper

Three more brown paper record bags which give us more glimpses of shopping for records in the past. The London Jazz Club on Bryanston Street, near Marble Arch, was a popular jazz venue in the fifties (referred to as the The Bryanston Jazz Club in some histories). The club must have had their own record shop for a time in London’s St. John’s Wood as this paper 10″ 78rpm bag shows. They’ve stamped the name and address of the shop on and also added a small paper sticker advertising Ken Colyer’s Jazz Men playing there each weekend (New Orleans Jazz at it’s best!) circa 1954-56.

London Jazz Club sleeve

The second sleeve is quite a bit older I would imagine. Whitaker Street in Doncaster has long been demolished, the town having suffered badly at the hands of council redevelopment schemes (and is still doing so, they destroyed an amazing late deco cinema only a few years ago).

Recordia, whitaker street, Doncaster

So we can only imagine what the Recordia shop was like, but it’s an evocative name. The typeface has a 1930’s feel about it.

Drinkwater record shop, Parkgate, Rotherham
The last bag is another nice example of the sort of home-made approach to shop keeping in the 1920s. Plain again, with an even smaller rubber stamped name and address oval logo to avoid the expense of printing up sleeves. In this case the retailer is M. Drinkwater, Music Dealer, Broad Street, Parkgate. It’s quite likely the premises are still there as this stretch of road near Rotherham in South Yorkshire is mostly intact albeit in a very run down kind of way (there was a cycle repair shop at 31 Broad Street in 1905, which might be the same place; I have seen 78 record sleeves advertising cycle repairs). Drinkwater – what a great surname – also had a set of rubber stamp numbers so they could make up their own labels and used them here to price up the records by hand. 4/8d in this case, which would be a lot of money at the time.

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About simon robinson

Having worked as a designer mostly in the music industry, and mainly in the reissue sector, I now concentrate on the design and publication of books about popular culture - and even write some of them.
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